This is new for me but I needed to blog about a book I refuse to read. The title and image refers to a famous ad about a beer ‘refreshing the parts other beers cannot reach’,
Let’s imagine that a well-known politician has just launched a book about a dozen characters from Victorian Britain. For context, the politician has right of centre views and is identified with his passionate arguments for a ‘No Deal Brexit’. It is possible that he may have a biased approach to history?
Coincidentally, two of the characters he includes in his book feature in my forthcoming publication, though not as prominently in my case.
One of these is Queen Victoria, about whom much has been written and put on our screens of late. Difficult to be objective possibly?
The other of more immediate interest to me is the architect and designer Augustus Pugin. My book will look closely at his working relationship with Sir Charles Barry in the building of the New Palace of Westminster. Others have already researched and written about this, and a new, long-awaited biography of Barry may eventually appear by the end of this year.
Not wanting to give away my conclusions before publication, let’s just say that I attempt to provide a balanced view between the two extremes presented by Pugin’s and Barry’s sons in the later 19th Century after their fathers had died. One end of the scale suggests Pugin should get all the credit for this iconic structure, the other end goes for Barry. Somewhere in the middle seems more sensible, but like politics that doesn’t always prevail.
Hence my keenness not to read where Mr X stands on things, if indeed this is mentioned at all …
We were on a mini road trip of parts of England for a few days. More than 1000 miles clocked up at least.
We dropped in on a Barry and Banks Jacobethan manor hall in Norfolk and a Nash Italianate villa built in Shropshire in 1802. We also saw Gothic Ilam Park in the Peak District and the amazing St Giles Roman Catholic Church in Cheadle by Pugin.
In between we admired the beautiful Lake District countryside where Wordsworth, Ruskin and Beatrix Potter all lived.
For me it was a reaffirmation of the treasures that can be found in my home country. Some of these I will write about in my forthcoming book. More importantly I will be able to include current day images of them.
You will have to wait until publication to see these, so in the meantime I have included a classic Lake District scene for you to contemplate – who knows it may inspire you to go there?
I’ve just about reached the end of drafting the text for my book on the Brunel and Barry families of Victorian engineers and architects.
I started in January of this year but only got into it properly from 12 February after I had stopped full-time work in London and the commute that went with it.
So it’s been about 3 months of writing with two restarts in March and April. The first one was on the back of an editorial assessment and the second when I decided to extend the remit to include the Brunel family. Until then it had focused on Sir Charles Barry and his son Sir John Wolfe Barry.
Where do we stand now?
Not as many words as I’d hoped for, but those there have been extensively self-edited and fact-checked – the problem with writing non-fiction rapidly I guess. Fortunately I had prepared some of the way with this website, as well as previous research, articles and talks.
I’ve also learned that finding minimal cost images for non-fiction publishing is a tricky exercise – in fact it makes me rather annoyed that some (inter)national museums, galleries and institutions are raking in large amounts of cash for image rights, when they should be serving an educational purpose through disseminating these as widely as possible, hence also luring people in to see the real exhibits. Enough said!
Next steps are reviews by trusted people and then the text goes off for a developmental edit by start June. At the same time I will start working with a designer on the cover. I’m still on plan to deliver as scheduled.
One upcoming date to note which is highly relevant to this website is 30 June, when Londoners will celebrate 125 years since Tower Bridge was first opened to the public. You can find out here more about activities this special year.
This was the question I asked a friend recently about my draft text for the book I’m writing.
He has published himself, though not in my genre of historical non-fiction/biography/architecture. Nonetheless I was still interested in his answer.
He told me that for his first book he had written as much as he could and this had ended up at 70,000 words. However in retrospect for his next book he would be happy with just 30,000 words. What matters is quality and whether you have got your main messages across in the text you have written.
This all makes sense to me and I have reached a point where I kind of know how much more I’m going to write. The final amount will depend on a number of factors in my case:
– whether I fill in gaps in content or simply remove a topic
– how many images I include
– how many words I think my editor should be allowed to play with
– what feels just right to me
The last criterion is important as I’m writing the book for myself ultimately. I do want others to enjoy it, but ultimately I am the one who has to be happy with the end product. If I write another book then perhaps my motives will change and my approach will be different. But that’s a whole different story.