Read a book while you self-isolate #buildingpassions #BUILT

I’ve not blogged yet about the current pandemic facing the world. It didn’t seem appropriate for my typical themes.

However, now that people are wondering what to do with themselves as they self-isolate (the word of 2020?), it does seem appropriate to encourage them to read more books.

Not only will they derive more pleasure and knowledge, they may learn a few tricks. Equally, they will help authors and smaller publishers such as myself. I would strongly recommend reading ‘BUILT‘ by my structural engineer friend Roma Agrawal, which inspired me to write my own book.

In the case of ‘Building Passions‘, all you need to do is look at the website and then decide if you want to read more. You can only buy the e-book via Kobo.com as a print copy is too risky currently to mail.

I’m also looking into remote casting talks about the book and its related topics, which cover the 19th-century Brunel and Barry families and ‘modern’ Victorian architecture. I know a fair bit now about the highly decorative ‘Art Nouveau’ architecture of the later 19th and early 20th Centuries, as I’m planning a PhD in that area once things have calmed down.

Above all, be wise and stay safe for your sake and everyone else’s.

Dulwich College #10favstructures #buildingpassions

Dulwich College is an independent school in South London, England.

It is best known for producing Ernest Shackleton, the Antarctic Explorer, and PG Wodehouse, the writer of the amusing Jeeves the Butler series.

More recently, it has been in the news for educating Nigel Farage, the leader of the Brexit Party in the UK. It isn’t known for schooling me, but yes, I did go to it for almost four years in total, split between two stays.

Why, you might reasonably ask, is it on my list of 10 favourite structures from my book ‘Building Passions‘? The answer is simple: I love it as a building complex, and it was designed by Charles Barry junior in the 19th Century.

The structure was an Italianate homage to the Houses of Parliament, designed and built by his father Sir Charles Barry, with assistance from his other son Edward Middleton Barry, as well as the famous Gothic Revival designer Augustus Welbin Pugin.

I particularly like the beautiful Great Hall with its hammerbeam roof also reminiscent of medieval Westminster Hall, now the main entrance route to Parliament for the public.

Sadly, I didn’t appreciate the architecture while at the school – at least I’ve finally come round.

Brunel, Barry and ‘modern’ Victorian architecture eBook by Nick von Behr – 9781916225701 | Rakuten Kobo

The book cover image above should always be credited as follows: Arpingstone (https://commons.wikimedia.org/wiki/File:Tower.bridge.7.basculecloseup.london.arp.jpg), size and alignment by Elisa Vernazza, https://creativecommons.org/publicdomain/zero/1.0/legalcode

The e-book is currently available to order at https://www.kobo.com/gb/en/ebook/brunel-barry-and-modern-victorian-architecture

Some last minute picture research

We were on a mini road trip of parts of England for a few days. More than 1000 miles clocked up at least.

We dropped in on a Barry and Banks Jacobethan manor hall in Norfolk and a Nash Italianate villa built in Shropshire in 1802. We also saw Gothic Ilam Park in the Peak District and the amazing St Giles Roman Catholic Church in Cheadle by Pugin.

In between we admired the beautiful Lake District countryside where Wordsworth, Ruskin and Beatrix Potter all lived.

For me it was a reaffirmation of the treasures that can be found in my home country. Some of these I will write about in my forthcoming book. More importantly I will be able to include current day images of them.

You will have to wait until publication to see these, so in the meantime I have included a classic Lake District scene for you to contemplate – who knows it may inspire you to go there?

Self-publishing: your help needed!

I decided a while back that I would self-publish my forthcoming book on the Brunel and Barry families.

This has meant foregoing current earnings to spend time writing and there is no guarantee how I will do with my first (and possibly only!) book.

I have also spent money on an editorial assessment and buying image rights, plus I am committed to further payments for editing, proofreading and design and marketing costs. Since I don’t know what sales will be like, it’s difficult to estimate future income from publication. This also depends on the cover price and whether I market it only as an e-print or also as a hard- or softback.

That being said, the people I am writing about were very familiar with the concept of risk. Isambard K Brunel’s father Marc was thrown into debtors’ prison as poor cashflow held up his ground-breaking projects. It was only the threat of him returning to the old enemy France that precipitated action at the highest levels to release Government funds. Sir Charles Barry and his son Edward Middleton Barry were consistently at loggerheads with Parliament over delayed payments for building the New Palace of Westminster.

So, it would help me greatly to know what interest there might be out there for this book. The current favoured title is “Barry, Brunel and sons:
Builders to the British Empire”. My only concern is there is too much alliteration going on in it. What do you think? Tell me in a comment below.

To get a flavour of the book please look at the content of this website – it develops from the main focus here on John Wolfe Barry, to a wider scope looking at his father, brothers and close relationship with Henry Brunel, hence brings in the latter’s famous father IK and grandfather Marc. It also makes connections between Victorian architecture and engineering and modern day structures such as the world’s tallest skyscraper, the Burj Khalifa in the UAE.

P.S. The illustration of Big Ben is made from a photo I took of it at night time before the current renovation works. Another Barry structure!

Half way there

I’ve written half my target number of words for my book on the 19th Century Barrys. The rest needs to be completed by mid-June latest.

One thing that changes as I add words to the draft is the title and structure of the book. It has now moved on from a central focus on Sir Charles Barry and his three architect/civil engineer sons, to a wider scope including the great Isambard K Brunel and his son Henry Brunel.

This makes for a better connection with the themes of family, recognition and building that run through the book, as well as allowing me to look even more closely at the relationship between architecture and civil engineering.

What, you might ask, is the connection between the Barrys and the Brunels?

John Wolfe Barry and Henry Brunel were close friends and business partners who lived and worked in the Brunel family home and offices in London for the first years of their civil engineering collaboration. Once John was married and children started arriving, Henry had to leave his parents’ house as a lifelong bachelor and hand it over completely to his friend. This can’t have been easy for him!

The fathers of each son knew each other and were both Fellows of the Royal Society. They had also worked together on designing a venue for the 1851 Great Exhibition in London which became known as the famous Crystal Palace. There is no evidence of any close personal or business relationship between them and this could be said to typify the traditional space between British architects and civil engineers.

The book will expand on the above and is currently due for publication by end September 2019. Fingers crossed!

To judge a book by its cover?

I’ve sent off a possible cover design for my forthcoming book on the 19th Century Barrys which I pulled together in a few minutes using a cheap software programme.

I didn’t plan to do this but an opportunity came up for a free assessment by a cover designer so I thought I’d give it a go.

I found a template with a picture of the Eiffel Tower on it and then played around a bit with the title and my name. Of course for this book the structure could be one of many towers, depending on how I want to represent the Barrys visually without just sticking their portraits on the cover.

They say you should trial a range of different cover designs with audiences to see which ones work best, but I don’t have the budget for that.

What criteria do I think should be important for a potential reader?

  • Confirmation that they are looking at the right category of book e.g. historical non-fiction about buildings and their builders
  • Sense of pleasurable expectation of an experience that opening the cover might lead to.
  • Hint of quality of a product that can’t be touched before purchase as it will be marketed electronically, and you can’t get refunds on books you don’t enjoy reading, caveat emptor.

I will reveal the design stages later down the line.