As I write this I am heading back home from school.
It is one I attended as a teenager and of which I have mixed memories, hence some nerves on my arrival earlier today.
When there I never appreciated the beautiful old building in which we had assemblies and were taught. Too busy surviving as a confused teenager. Now I returned as an alumni who is fascinated by the building’s architect Charles Barry junior.
My final year subjects were history, French and economics. The first two were strong personal preferences and because I wasn’t allowed to do maths with them (shocking but true), I opted for economics which my older brother had recommended to me.
I continually regret not having done maths after age 16 and this in part inspired me to work later in life in maths education policy. An achievement of which I am proud is that we managed to convince the English Government of the importance of as many teenagers as possible doing post16 maths.
I did meet the head teacher but we didn’t discuss education. As it turns out the school is celebrating 400 years since its foundation as a place for poor scholars to study. Part of the celebrations was a lecture a fortnight back by Caroline Shenton on Sir Charles Barry, who like his son had been surveyor to the vast Dulwich Estate. During today’s research I took a photograph of an original 1830 letter of reference from Edward Cust allowing Barry senior to gain his position. Cust had previously chaired the selection panel which had chosen Charles to design and build the seminal Travellers Club in London.
Such was the way of the world and it still continues to this day. Who you know is more important than what you know. I don’t agree with it but would be foolish to ignore the benefits.
By Barrys I don’t mean Barry Manilow or Barry from Eastenders.
I do mean Sir Charles Barry and his sons Charles junior, Edward and John. They are the main characters in the joint biography I am writing of an atypical Victorian family.
Most of us associate the Victorian period with scenes from a Charles Dickens novel or with Queen Victoria and her Prince Consort Albert. For me it is inextricably linked to architecture (we live in a Victorian house even though it was built a few years after the Empress died) as well as the industrial and commercial expansion of the British Empire culminating in the Great Exhibition of 1851 held in the magnificent Crystal Palace.
That last structure brings together a few strands in the developing book. Sir Charles Barry sat on the planning committee for it together with Prince Albert and IK Brunel. His close collaborator on the New Palace of Westminster, Augustus Pugin, created an amazing display of medieval crafts which typified the Gothic Revival style he defended so vociferously against Greek classicists.
Once the Great Exhibition finished it was decided to move the whole structure to Sydenham Hill outside London, though now in a suburb in the capital aptly called Crystal Palace. To allow access to it a new high level railway station was built at the top of the hill to reduce the walk for visitors. There is some dispute whether Charles Barry junior or his brother Edward Middleton Barry was responsible for this structure since demolished, but certainly the subway from the station to the site of the palace is still accessible with its amazing vaulting and decoration.
Charles Barry junior did build the splendid new Dulwich College in the 1860s just down the hill from the Crystal Palace and shown in the above photo. I went to school there but never realised its architectural significance or link to the Barry family. Not even my best friend Barry knew this. If he actually existed that is ….