In my previous post I said I am writing a book about the famous 19th Century architect Sir Charles Barry and his five sons, of whom four became well-known in their own right.
Why am I telling this story?
Firstly, because I want to. That’s my prerogative as the author! It will fulfil my personal ambition ever since I started researching one of the sons (can you guess who?) many years back.
Secondly, because I think stories are great ways to communicate with people about things that may hit a chord with them. These can be very personal issues, or more likely because they empathise with certain characters and the good and bad times they may go through. It can also be for purely technical reasons e.g. they love trains so any book about them is bound to be an attraction (hint, mine will have some mentions of trains, but don’t get your hopes up if you’re a fanatic!).
Thirdly, because if people like this story then perhaps they’ll be interested in other ones that follow. This would be good for both me and them as writer and readers. Clearly it’s a relationship.
Last night I watched the new film about the character Mowgli from the famous Jungle Books created by the journalist and author Rudyard Kipling. For those who may not know the tale, Mowgli is a boy who was raised by wolves in the Indian jungle and is conflicted by his upbringing with animals and the fact that he is a human underneath. This is a fascinating paradox which the author explores expertly and weaves his magic in the form of a plausible story.
To my mind this is the essence of story telling, which I hope I can somehow reproduce through my writing.
I’ve decided to write a family biography of Sir Charles Barry the famous 19th Century architect and his sons who were architects, a surveyor, a civil engineer and a bishop.
This website is about the civil engineer Sir John Wolfe Barry. His brothers were Alfred (the bishop), Charles Junior (architect), Edward (architect) and Godfrey (surveyor).
The plan is to complete a synopsis and a few sample extracts to send off to agents in the hope there may be interest from publishers. If not then I will self-publish.
Why would people want to read such a book?
I hope because they are intrigued by the history of architecture and civil engineering and the structures associated with this family. Caroline Shenton has written two superb books about the Houses of Parliament for which Sir Charles Barry is best known. Alfred wrote a sanitised biography of his father. All of the brothers except Godfrey feature in various biographical compendiums and tributes from their professional colleagues.
Please contact me via @behroutcomes on Twitter if you can help in any way with interesting research or materials about the family and the things they built or people they engaged with.
This is my final post on the topic of engineering versus architecture on this website. Previous ones are here and here, respectively. It’s a theme I’m very interested in so will probably explore elsewhere.
I’ve just finished Andrew Saint’s book ‘Architect and Engineer: a study in sibling rivalry’. I won’t go into detail as it is well reviewed elsewhere on WordPress. Suffice to say that is a comprehensive academic analysis of the intertwined history of the two professions.
It refers to Sir Charles Barry’s major project on the New Palace of Westminster as a pivotal moment in the 19th Century. This is because it brought together key individuals (including the highly talented Augustus Pugin) with new materials to create a unique building, at a time when the traditional roles of architects and engineers were being tested by rapid technological change initiated by the First Industrial Revolution in Britain. Iron making had expanded from a village craft to a large scale manufacturing industry. The new textile mills which had proven to be the drivers of industrial growth were being built with iron to protect them from collapse during a fire, the scourge of timber-framed construction. This transferred across to other buildings and Charles Barry was an early adopter amongst British architects.
The Houses of Parliament still contain a large amount of iron behind the traditional wood and stone interiors and exteriors. Most of this is located in the floors and roof spaces, but a significant amount was to be found in the Victoria Tower until it was refurbished in the 1950s and 1960s. Given the sheer size and height of the tower, let alone its significance to the reigning monarch, Charles Barry was clearly keen to ensure that it stayed upright! For all these reasons he sought regular advice from a contracted engineer during construction.
It would seem that ground-breaking projects such as the New Palace of Westminster have forced architects and engineers to work closely together. As mentioned elsewhere on this website, Charles Barry’s sons Edward and Charles, both architects, worked closely with their brother John Wolfe, a consulting civil engineer. Their shared admiration for their father no doubt helped to minimise any sibling rivalries (literally).
Nowadays architects still appear to get most of the credit for the inspiring design side of novel structures. This epitomises the ongoing cultural divide between desk-bound ‘creatives’ and those who get their hands dirty actually building things.
Would Pugin were still here with us to give his views!
On Tuesday many people will be marking the centenary of voting rights being extended to women in the UK.
I’ve blogged about this already in the context of Sir John Wolfe Barry, who died a fortnight before the legislation was passed by Parliament in the building designed and constructed by his father and completed by his brother. Interestingly, last week a different assembly finally decided that the same New Palace of Westminster would need to be vacated and renovated in the next few years to prevent it from becoming a death trap!
Why were votes for women so important a hundred years ago and what relevance does this have to the modern engineering sector? Below are some possible answers.
- (some) women gaining the vote was both a major political reform, as well as a symbolic statement about the place of women in British society.
- other states were ahead of the UK in this, so there was a need to catch up and show that (some) British women were as equally valued as men.
- nowadays this might be considered ‘positive discrimination’ to redress a historical imbalance between genders, an approach that can seem controversial with women who believe in equal treatment as opposed to what they would term ‘tokenism’.
- all the above social context has had an impact on women engineers today.
- in 2018 we are celebrating engineering as a worthwhile profession for both genders, but which is also a critical sector to a successful post-Brexit UK economy and infrastructure.
- it is a ‘no-brainer’ to say that more diverse pathways into engineering and allied disciplines can only be good for the nurturing of future talent in a sector which needs to catch up with others.
Whether you agree with these or not, or have your own different ones, please spread the message through your networks so that the debate can go out as widely as possible.
I’ve commented previously on this site about the relationship between civil engineering and architecture.
The Barry family are an interesting case study because John was the only civil engineer amongst a father and two elder brothers who were all successful architects. It isn’t clear whether it was his choice to follow a different profession or his father’s decision. But we do know that he worked together with his brothers on a few projects.
One of these was the construction of railway stations with adjoining hotels at Charing Cross and Cannon Street in London during the early 1860s. Edward Middleton Barry was the architect for both hotels. John worked as a civil engineering assistant to Sir John Hawkshaw who had overall responsibility for the two extensions to the rail line from London Bridge Station.
Another project which linked brothers was the construction of a new HQ for the Institution of Civil Engineers at the time John was it’s President. His other brother Charles was asked to advise on the design from an architectural perspective. Sadly the building was demolished not long after it was completed to make way for the Government’s new Treasury offices in Westminster.
It would be interesting to know how the brothers discussed built environment issues together, whether informally or in a business context. How passionate did emotions get over the use of form as opposed to aesthetics or vice versa?
I’ve just written a piece on John Wolfe Barry’s three elder brothers, two of whom were architects like their father, the third became Bishop of Sydney.