New Year’s Eve will mark the end of the Year of Engineering 2018.
This has been a UK Government led campaign to promote engineering as a career option to young people. Simultaneously, it coincided with the bicentenary of the founding of the Institution of Civil Engineers in 1818 and the launch of a similar video-based campaign by the Royal Academy of Engineering called ‘This is Engineering’.
I have been privileged to be a small part of this all through my day job as Education Manager at the Institution of Structural Engineers. We published our own careers videos at the start of this year.
What can we now expect of the legacy?
To be honest it’s difficult to tell currently as the Year of Engineering website continues to list and seek submissions for engineering related events into 2019.
What would I like to happen?
I’d like the Government and the engineering sector to broaden out the messages to all those interested in careers in ‘design and build’, but particularly those defined audiences who could be helped to overcome any cultural or other barriers to success. This might include people with specific age, gender, race and other personal characteristics, depending on the nature of any barriers and the proposed solutions to removing them.
This could kick start a new era of design and build capturing the spirit of global volunteer programmes such as Bridges to Prosperity or the Grenfell Tower and similar schemes that have sprung up locally as a result of a terrible tragedy.
I’ve been doing some background research for a possible project I’d like to do. It’s about the impact of a specific architectural style on the local communities where it developed and whether we can apply any modern day lessons from this. This first of a series of blogs will reveal more as my thinking develops.
The idea was sparked from my long-term interest in the architectural style, as well as watching a programme last week about building a community centre for those impacted by the shocking Grenfell Tower disaster which happened last year in London.
The initial investigation into the tower block fire has raised a number of issues and recommendations for Government action. However the TV programme highlighted the fact that this was about a local community coming to grips with the design and planning of structures built within it. This is what I want to explore more in my project.
Since I’m a historian by background and have spent time developing a website about an historical figure in civil engineering, it makes sense that I try and apply some of this to the real world. Also, the architectural style I’m interested is called ‘Secessionist’ and was developed during the life of Sir John Wolfe Barry. He never applied it himself as far as I can ascertain, but then it was considered the work of a new generation of younger architects.
However there is a connection.
John’s father Sir Charles Barry had worked closely with Augustus Pugin on the gothic revival details of the New Palace of Westminster. Pugin was a remarkable man who believed in authenticity rather than imitation, hence was somewhat conflicted by working with a classic architect who had made his name through Italianate style buildings such as the Reform and Travellers Clubs in London.
Pugin had developed his thinking on the value of medieval architecture by studying it intensively as part of sustaining his catholic religious and cultural beliefs. This in turn was to impact on Ruskin, Morris and Webb (the architect of the three) as leaders of what became the ‘Arts and Crafts’ Movement in Victorian England. For them it was a return to ancient practices which reflected the real needs of communities.
The break from tradition was encapsulated in the 1860 Red House in Bexleyheath where William Morris and family lived and is now under the protection of English Heritage.
To be continued ….