I’ve not blogged yet about the current pandemic facing the world. It didn’t seem appropriate for my typical themes.
However, now that people are wondering what to do with themselves as they self-isolate (the word of 2020?), it does seem appropriate to encourage them to read more books.
Not only will they derive more pleasure and knowledge, they may learn a few tricks. Equally, they will help authors and smaller publishers such as myself. I would strongly recommend reading ‘BUILT‘ by my structural engineer friend Roma Agrawal, which inspired me to write my own book.
In the case of ‘Building Passions‘, all you need to do is look at the website and then decide if you want to read more. You can only buy the e-book via Kobo.com as a print copy is too risky currently to mail.
I’m also looking into remote casting talks about the book and its related topics, which cover the 19th-century Brunel and Barry families and ‘modern’ Victorian architecture. I know a fair bit now about the highly decorative ‘Art Nouveau’ architecture of the later 19th and early 20th Centuries, as I’m planning a PhD in that area once things have calmed down.
Above all, be wise and stay safe for your sake and everyone else’s.
I published my first book ‘Building Passions‘ electronically in September 2019 and then in print in November 2019. It covers the story of the Brunel and Barry families of Victorian engineers and architects.
At the time I wasn’t fully aware of European book pricing regulations. It turned out that they vary by country (so much for an EU!) and in some cases you are not allowed to offer price reductions for up to 18 months.
The UK is more flexible and this is an area where Brexit will have little impact. So I have been able to run UK sales on the book at appropriate times linked to promotional events.
That said, I am still keen to know how to come to the right book price if you are a self-publisher. ‘Building Passions’ e-version is priced at £4.50 in the UK based on a minimal return per download and the print version then adds on £9 to cover printing related costs (could be lower if you print bigger batches). Some e-books are available free of charge, simply to promote the print or audio version. Big publishers can afford to cross subsidise, and some of them have few qualms about cutting down forests to print vast numbers of less costly books, or pay celebrities large (fixed?) fees to record their narratives.
The market needs to be only lightly regulated. This can happen with some form of agreement between the small and the large operators. Will this emerge? Perhaps after life has readjusted post-virus …
I am scoping a new novella which will be pure fiction.
This is new for me as so far I’ve written non-fiction and historical fiction, which both seem safe ground for an historian/policy wonk by trade.
I decided to start with a blank document on my laptop and see what emerged. Curiously my approach seemed to reflect what probably happens when building a new structure – and I’ve written about many past ones in my book ‘Building Passions‘.
First off, I defined my parameters. What did I really want to write about and what environment would shape it? That was fairly easy with pure fiction, though even at this stage some feedback helped me make a decision.
Then I started to design my main characters. I’d not done this previously as they were already there based on (largely) historical facts. This was quite fun and allowed complete artistic licence. I could make them as mad or as sad as I wished!
My next step was to create an outline plot based on what I now had. This was considerably easier than I thought it would be. I had to pinch myself to believe it!
Last but not least I refined my characters and plot, tightening focus and removing superfluous material. The end product looked great, now I just need to write it …
Define, design, refine. No idea where this came from but a net search just got me to: https://www.linkedin.com/pulse/define-design-refine-strategy-your-products-mayank-tiwari/ and https://medium.com/netbramha-studios/define-design-refine-a-strategy-for-your-products-2bbe55df8dcb . I would also highly recommend anything by Oliver Broadbent often on his eiffelover.com (get the pun?) website.
It seems I have surreptitiously found an existing product design mantra which can be extended to writing and structures!
I am writing a novella based on the life story of my grandfather, who was a spy in the Soviet Union and Nazi Germany, we think.
I started the process with scoping the story back in the summer, and then some preparatory drafting until November, when I started writing proper. This coincided with NaNoWriMo which is held every November around the world to encourage novel writing. I met a group of local writers and we have continued to engage since then.
I thought I could write fiction as easily as non-fiction, having completed my book ‘Building Passions‘. As it turns out, fiction is equally difficult. While you don’t rely on the accuracy of historical facts, for example, you do need to now how to build a close, personal link to your readership.
The big learning curve for me has been writing dialogue. I found this a challenge as it wasn’t a strong point for me. I’m good at narrative. However, my writing group has helped me develop these skills, so now I feel more confident. I can turn narrative into dialogue fairly easily, though know I must resist the temptation to write a screen or theatre play.
“Tell me John, why do you not want to be an architect like you father and brothers? Why a civil engineer?”
“I like sketching and designing, but I’m more interested in the maths behind those structures first proposed by myself or others. I have no ego about creative proprietorship. I just want to be sure buildings and bridges stay up for ever.”
Such might be a fictional dialogue between a young John Wolfe Barry and a Victorian contemporary.
Perhaps I should write more such exchanges?
I saw the printed version of my book today! The feeling was one of elation after 9 months gestation.
Though I didn’t carry our daughter for a similar period 19 years ago, I kind of understand the emotional ride. As a father your relationship tends to develop later on, once they are up on their feet more and starting to think for themselves.
Why did I leave it so long to write a book?
Because there were other things going on in my life and they always came first. I’m not complaining. But I did have to take a risk and stop full-time work to self-publish the book.
I did other things as well, but in effect I have had a type of parental unpaid leave with no job to go back to. My wife has been incredibly supportive throughout this period, for which I am very grateful.
I’ve started planning my next book, a historical novel, and will write it during November as part of National Novel Writing Month. I’ve already sought editing proposals for the finished draft. It will be published in 2020, 100 years since the protagonist, based on my grandfather, escaped from the Communists in Tashkent and ended up living a new life in England via Persia and India.
It’s 38 days until I launch the hard copy version of my first book ‘Building Passions‘.
Between then and now we will have Diwali, Halloween/Brexit Day and Guy Fawkes Day in the UK. The lead up to Christmas has already started with cards and adverts.
The draft has gone off to the printers and once a proof is returned and corrected for any errors then that’s it, until delivery of the final soft backs in time for the 20 November launch.
I am firming up plans with English Heritage to promote a Blue Plaque for Sir John Wolfe Barry, which will hopefully be unveiled in London on the same day as the launch.
In some sense I will be relieved once the hard copy is out as it is the final piece in the lengthy jigsaw of self-publishing non-fiction. The e-book is already available on www.kobo.com and a temporary sale will start tomorrow for about a fortnight – if you have never registered on Kobo before then the book will be free for UK purchasers, as you will get an introductory discount of the same amount (in other countries this will depend on exchange rates).
Fiction looks easier to me … which is why I need to get more words down for my next book to be published in 2020 about an amazing story based on my grandfather’s ‘fantasy’ life.